American Folk Rhapsody





American Folk Rhapsody is the first of four medleys of American folk songs written by Clare Grundman (see below). It was written in 1948.


After a brief introduction, the first song in the medley, My Little Mohee, is probably more recognizable to modern audiences as On Top of Old Smoky. The original, also known by the name “Little Mohe”, “The Pretty Mohea”, and other titles, appeared as early as 1847 and became popular around the United States. It can also be found in Atlantic Canada. The song recounts a man’s meeting with “an Indian lass” who asks him to stay and marry her. He declines because he is already betrothed to another, but when he eventually returns to his own country, he learns that his lover has wed another, and he laments about leaving his “Little Mohee”. It exists in numerous versions and recordings.


“On Top of Old Smoky” (often spelled “Smokey”) is a traditional folk song of the United States. As recorded by the Weavers, the song reached the pop music charts in 1951. It is unclear when, where and by whom the song was first sung. In historical times, folk songs were the informal property of the communities that sang them, passed down through generations. They were published only when a curious person took the trouble to visit singers and document their songs, an activity that in America began only around the turn of the 20th century. For this reason it is unlikely that an originator of “On Top of Old Smoky” could ever be identified.





One of the earliest versions of ‘On Top of Old Smoky” to be recorded in fieldwork was written down by the English folklorist Cecil Sharp (1859 – 1824), who during the First World War made three summer field trips to the Appalachian Mountains seeking folk songs.





A parody of the song, “On Top of Spaghetti” was recorded in 1963 by Tom Glazer. It begins with this verse:


On top of spaghetti All covered with cheese,

I lost my poor meatball

When somebody sneezed.


This version too seems to have entered modern folklore, and it widely is known to children; one source writes of the original On Top of Old Smoky: “if you can listen to it and not think about spaghetti, sneezing and meatballs, more power to you.”


The second song in the medley, Shantyman’s Life, is an American ballad from the lumbermen of the northern forests. A note on an early broadside printing of this song about the hardships of winter logging work says it was composed by George W. Stace of “La Crosse Valley, Wis[consin]”. Franz Rickaby collected a version from Albert Hannah of Bemidji, Minnesota. Rickaby noted that a “shanty boy” was a more common term than “lumberjack” among old time loggers who worked in the live-in winter camps where the bunkhouse was referred to as the “shanty”.


The first verse of one version:


A shanty man's life is a wearisome one,

Though some say it’s free from care.

It’s the swinging of an axe from morning 'till night

In the forest wild and drear.


The third song in the medley, Sourdough Mountain, is a traditional American folk song. Like many folk songs, there are numerous different lyrics; however, there are certain commonalities. The song’s theme is a lament over the narrator’s true love, from whom he is separated. The title comes from the opening line. Each verse of the song consists of a rhyming couplet interspersed with a nonsense refrain. For example:


Chicken’s a-crowin’ on Sourwood Mountain,

Hey, ho, diddle-um day.

So many pretty girls I can’t count ‘em,

Hey ho, diddle-um day.


“Sourwood Mountain” is most closely associated with the music of Appalachia; however, there are versions native to New England as well.


The final song in the medley, Sweet Betsy from Pike, is an American ballad about the trials of a pioneer woman named Betsy and her husband Ike who migrate from Pike County (theorized to be Pike County, Missouri) to California. This Gold Rush-era song, with lyrics published by John A. Stone in 1858, was collected and published in Carl Sandburg's 1927 American Songbag. It was recorded by Burl Ives in 1941, for his debut album Okeh Presents the Wayfaring Stranger.


The melody derives from a popular English comic song “Villikins and his Dinah”, first published in London in 1853 and which had become a hit in America by 1855. Villikins and his Dinah closely parodies the lyrics of an old street ballad extant in England from the early 19th century, William and Diana; but it is unclear whether it simply borrowed the same melody as the existing ballad it parodies, or used a different tune written especially for theatrical performance.


Members of the Western Writers of America chose Sweet Betsy from Pike as one of the Top 100 Western songs of all time.





Arranger Clare Grundman (1913 - 1996) attended Ohio State University, where he received a Bachelor of Music Education degree in 1934. For a few years he taught instrumental music in Ohio and Kentucky public schools, but returned to Ohio State in 1937, where he taught orchestration, applied lessons in woodwind instruments, and conducted the band. He received his Master of Music degree from Ohio State in 1940. After finishing his degree, he moved to New York, where he studied composition with Paul Hindemith at the Berkshire Music Center. Grundman served as a military musician in the United States Coast Guard from 1942 to 1945.


Grundman composed scores for films, radio, and television, as well as orchestrations for Broadway musicals. He also wrote a few works for various chamber ensembles and for full orchestra. However, he is best known for his many compositions and arrangements for symphonic band. In addition to his musical accomplishments he co-authored the 1974 New York Times Crossword Puzzle Dictionary.


The music for American Folk Rhapsody was provided for the band by

Dick and Kathee Lundberg in memory of Melanie